Six Eye Dzi, 57.7mm × 11.8mm, deep dark warm-brown, rose-peach cinnabar, sandy-cream end caps (At-082824-6EBS2)

We never retouch our photos. What you see is exactly what you will receive.

The eye frames on this bead are not all the same — and that difference is visible the moment you turn it.

At 57.7mm this is the longest six-eye dzi in the collection, and its length gives its composition room to do something no other six-eye here does: alternate between two distinct eye frame types across its four faces. Faces A and C (Images 2 and 4) carry angular pointed-oval frames — the white surround tapers to points at both ends, creating an almond or vesica form rather than a simple circle. Faces B and D (Images 3 and 5) carry the more conventional rounded open-ring composition, with circular white rings and warm brown centres. The result is a bead that presents differently at every 90 degrees — angular and geometric on one axis, rounded and classical on the other.

The ground is deep dark warm-brown — highly polished and glossy across the full surface, the most reflective of all six-eye beads in the collection. Against this deep ground the white motif lines are bright and bold, their width generous relative to the bead's slender 11.8mm diameter. At 57.7mm × 11.8mm this is simultaneously the longest and most slender six-eye in the collection — an unusually elongated spindle profile that gives the bead an elegant, almost calligraphic presence when held.

The end caps (Images 6 and 7) are warm sandy-cream — a pale, muted beige-stone tone, the lightest end cap colour confirmed across the entire six-eye bloodspot series. End A (Image 7) carries a distinct rust-orange cinnabar streak running across the cap surface — the bloodspot material is present not only within the body motif zones but on the cap itself, an unusual and notable detail.

The bloodspot character on this bead is the defining feature of the macro photography. Image 8 shows rust-orange to warm golden-orange cinnabar micro-dots and fine saturation distributed across the white zones of the motif — concentrated in patches within the cream areas, consistent with embedded geological inclusion. Image 9, an extreme close-up of a single eye interior, reveals the most distinctive cinnabar signature in the six-eye series: the entire white ring carries a warm rose-peach cast — cinnabar saturation so thorough it has shifted the colour of the white zone from pure white to a blush rose-cream. Fine rust-orange to warm brown pinpoint dots are scattered densely across the ring, denser toward the dark oval centre. This rose-tinted eye is a specific authentication characteristic found elsewhere in the collection only in At-092724-2EBS — and its presence here in a 300–500 year old six-eye bead of this length and polish is exceptional.

The cinnabar (硃砂, zhūshā) — mercuric sulfide occurring as a natural geological inclusion within the agate matrix — is present across the white motif zones, the eye ring interiors, and the end cap surface of this bead simultaneously. The inclusion predates the etching and is inseparable from the stone.

Compared across the six-eye bloodspot series: At-082624-6EBS (54.5mm, rose-brown ground, misty low-contrast eyes, matte surface) and At-112623-6EBS (47.1mm, deep dark cool-brown, 3+3 eyes, boundary-pooling cinnabar) — this bead is the longest of the three at 57.7mm, carries the most polished surface, the only mixed eye-frame composition, the only rose-peach cinnabar eye tinting, and the only confirmed end-cap cinnabar streak.

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The Six Eye Motif

The Six Eye dzi (六眼天珠, liù yǎn tiānzhū) is associated in Tibetan Buddhist tradition with release from the six realms of Samsara — the cyclical existence of suffering encompassing all sentient beings. Each eye addresses one realm, offering protection and the capacity for liberation from each. The Six Eye is also linked to improved physiological wellbeing, the removal of impending misfortune, and the clearing of karmic obstacles across all six planes of existence.

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Spec Block

Motif: Six Eye (六眼天珠, liù yǎn tiānzhū); mixed eye-frame types — angular pointed-oval frames on Faces A and C; rounded open-ring eyes on Faces B and D; wide white connecting bands Length: 57.7mm Diameter: 11.8mm Form: Very long slender spindle; most elongated six-eye in collection; highly polished glossy surface throughout Material: Deep dark warm-brown agate ground; bright white to warm cream motif lines; rose-peach cinnabar tint in eye ring whites; warm sandy-cream end caps (inherent agate colour) Age Estimate: 300–500 years Condition: No cracks; weathering marks and minor surface digs consistent with age; excellent polish Bloodspots: Yes — rust-orange to warm golden-orange cinnabar (硃砂) micro-dots and saturation throughout white zones (Image 8); rose-peach cinnabar tinting across eye ring whites (Image 9); rust-orange cinnabar streak on End A cap surface (Image 7); macro-confirmed across three images Product ID: At-082824-6EBS2 Collection: Antique Dzi Collection | Bloodspot Dzi Collection

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You May Also Like

• Antique Six Eye Dzi with Cinnabar Bloodspots (At-112623-6EBS) — 47.1mm, deep dark cool-brown, 3+3 eye split, boundary-pooling cinnabar
• Antique Six Eye Dzi with Bloodspots (At-082624-6EBS) — 54.5mm, rose-brown ground, misty low-contrast eyes, diffuse cinnabar
• Antique Six Eye Dzi, plain variant (At-053026-6E) — 54.9mm, honey-gold end caps, open+closed eyes, no bloodspots
• Antique Two Eye Dzi, extreme bloodspot saturation (At-092724-2EBS) — only other bead in collection with confirmed rose-peach cinnabar tinting
• Antique Nine Eye Dzi with Dense Cinnabar Bloodspots (At-060326-9E5) — pitch-black ground, most densely spotted bead in collection

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Blog Links

• What Are Dzi Beads? History, Meaning & Authenticity
• The Meaning of Dzi Bead Eye Counts in Tibetan Buddhism

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The longest six-eye in the collection, with two eye languages spoken simultaneously and cinnabar reaching all the way to the end caps.

We never retouch our photos. What you see is exactly what you will receive.

📷 We never retouch our photos. Every bead is photographed exactly as it is. What you see is what you receive.

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Hashtags

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