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Ancient Dzi Shop

Ancient Four Eye & Heaven's Gate Carnelian Dzi, spherical form, 22.2mm × 20.4mm, 1,000–1,500 yrs (Ac-060126-4EHG)

Ancient Four Eye & Heaven's Gate Carnelian Dzi, spherical form, 22.2mm × 20.4mm, 1,000–1,500 yrs (Ac-060126-4EHG)

We never retouch our photos. What you see is exactly what you will receive.

Most dzi are elongated. This one is a sphere.

At 22.2mm × 20.4mm, this ancient carnelian dzi is nearly perfectly round, a globe rather than a barrel or spindle. It sits differently in the hand and presents differently on a cord. Its four eyes, each a fully closed three-ring composition with a dark pupil, look outward in four directions at once rather than lining up along one axis. Round carnelian dzi are among the rarest forms in the tradition, and this piece carries that rarity with 1,000 to 1,500 years of age.

The material is carnelian, Pema Raka in Tibetan, a deep warm chestnut-brown: not pale orange, not terracotta, but a rich reddish-brown. The ground has a smooth, slightly glossy aged patina, the warm lustre of stone handled for centuries. The etched motif lines, by contrast, are a brilliant rough-crystalline white, raised and granular, standing clearly above the polished ground. That contrast, smooth warm carnelian against rough brilliant white etching, is characteristic of ancient carnelian dzi, and it is exactly what you see in these photographs.

The four eyes sit one per quadrant, each fully closed: an outer ring, a middle ring, and a solid dark pupil. The Heaven's Gate elements fill the zones between the eyes: bold angular bracket lines, two verticals joined by a horizontal, forming the open gate frame that defines the motif. In Images 5 and 6 the gates are clearest, precise rectangular gateways in white etching linking the eyes around the sphere.

The two drill holes sit at the poles, small and precisely bored, with warm carnelian-brown interiors matching the ground colour through the stone.

The 1,000 to 1,500 year estimate places this bead firmly among the ancient dzi. The crystalline quality of the etching, the depth of the carnelian's patina, and the worn outer eye rings on the most-handled faces all speak to that age.

The Four Eye and Heaven's Gate (四眼天門) Motif

The Four Eye dzi is understood in Tibetan tradition to remove obstacles and hindrances, allowing its wearer to achieve success with ease; four eyes in four directions suggest a complete clearing of the way.

The Heaven's Gate motif carries a complementary meaning: entry into spiritual fulfilment and the realisation of wisdom. The Gates of Heaven symbolise the self-understanding, wisdom, and compassion needed to move beyond worldly suffering. Where the Four Eye clears the path, the Heaven's Gate names the destination: obstacles removed, and the gate ahead open. Read more in Dzi Motifs and Their Interpretations and Carnelian Dzi Beads: The Pema Raka Guide.

Specifications

  • Motif: Four Eye and Heaven's Gate (四眼天門); four closed three-ring eyes with dark pupils, one per quadrant; angular Heaven's Gate brackets between them
  • Length: 22.2mm
  • Diameter: 20.4mm
  • Form: Near-spherical; drilled through the poles
  • Material: Natural carnelian (Pema Raka, 紅玉髓); deep warm chestnut-brown ground with smooth aged patina; brilliant rough-crystalline white etching
  • Age estimate: Ancient, 1,000–1,500 years
  • Condition: No cracks; smooth aged patina throughout; granular raised etching; outer eye rings worn on the most-handled faces
  • Bloodspots: None
  • Product ID: Ac-060126-4EHG
  • Collections: Carnelian Dzi (Pema Raka) | Original Ancient Dzi | Round Beads

More Four Eye and Gate Dzi

Ancient

Antique

New and vintage

A 1,000–1,500 year old carnelian sphere with four eyes looking outward in every direction, and a gate that has been open for a millennium.

📷 We never retouch our photos. Every bead is photographed exactly as it is. What you see is what you receive.

Regular price $4,000.00 USD
Regular price Sale price $4,000.00 USD
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A
Amie Nunley

I treasure this special bead. It is such an honor and blessing to hold an ancient piece of art in your hand. There is a silent strength and beauty that cannot be replaced by modernity. Eddy Hsu is gift.

Thank you Amie. Very much appreciate it.